Showing posts with label THE WIRE. Show all posts
Showing posts with label THE WIRE. Show all posts

Friday, December 31, 2021

Wire ballot 2021 albums + tracks of year

 my ballot for best albums + tracks 2021 for The Wire magazine's annual round-up 


Dry Cleaning New Long Leg (4AD)

PinkPantheress “Break It Off” (Parlophone)

ToiToiToi Vaganten (Ghost Box)

Insides Soft Bonds (Further Distractions)

Foodman Yasuragi Land (Hyperdub)

Saint Etienne I’ve Been Trying To Tell You (Heavenly)

Oneohtrix Point Never featuring Elizabeth Fraser “Tales From The Trash Stratum” (Warp)

Proc Fiskal Siren Spine Sysex (Hyperdub)

Wet Leg “Chaise Longue” (Domino)

Dry Cleaning “Bug Eggs”/“Tony Speaks!” (4AD)


other contributors ballots can be found here 


they don't seem to have posted the ballots for archival releases as yet, but here's mine - with links to appropriate reviews or bloggige 


Ann Southam – The Reprieve, The Emerging Ground (Creel Pone)

Anton Bruhin – Speech Poems / Fruity Music (Black Truffle)

Suburban Lawns – Suburban Lawns (Superior Viaduct)

Acen – Trip to the Moon 2092

Seefeel – Rupt and Flex (1994-96) (Warp)

Janet Beat – Pioneering Knob Twiddler (Trunk Recordings)

The Stick Figures – Archeology  (Floating Mill Records)

Beatriz Ferreyra – Canto+ (Room40)

Van Der Graaf Generator – The Charisma Years 1970-1978 (Virgin)

Goldie – Timeless:   25 Year Anniversary (London)

Faust – 1971-1974  

Monday, February 25, 2013

end of year commentary for The Wire, 2012




I’ve always been more about records, not so much about live. So perhaps it’s a sign of the times, or a sign of something,  that the music experiences that affected me most this year weren’t artifacts but performances. When the prevailing modes of distribution and consumption have the effect of at once reifying and insubstantialising music into units of decontextualized data, there’s much to recommend being forcibly reminded that actual living beings made the sounds you’re hearing.  So the moments that linger in the memory at year’s end mostly involve the presence of the performers (and, of equal analogue-flashback importance, an audience). The imposing ludicrousness of Mayhem, at By:Larm in Oslo, and of Laibach, at Incubate in Tilburg. Also at Incubate: the frangible exhilaration and frayed nerves of Maria & the Mirrors; Chris & Cosey, thick and wet and absolutely stunning; Raime’s rhythmic stealth and lustrous monochrome;  the charisma of Carla Bozulich; Buzzcocks blasting down memory lane, even with Diggle’s daft guitar heroics;  getting coerced into conga-ing to the schlager-tastic De Deurzakkers.  Ariel Pink’s peculiar hissy-fit of a show at the Fonda Theatre, LA.  Totally nowtro: Skrillex’s digi-maximalist audio-video barrage at Hard Summer;  Kode 9 slaying a Berlin club crowd and showing that post-step eclecticism needn’t be tepid and diffuse.  Totally retro:  Go  Gos at Hollywood Bowl;  Nightingales in St. Gallen (bizarrely sounding closer to Family and Groundhogs than a shambling-band nostalgia act). Some records did manage to sneak through the numb info-overload anomie and make an impression: Ariel’s Mature Themes, especially the gorgeous last three tunes, and “Steviepink Javascript” off Ku Klux Glam; Death Grips; the brave move of Woebot’s Hallo; Maria Minerva; Mark Van Hoen’s Revenant Diary, particularly the astonishing “Holy Me”; the Sun Araw/Congos communion; Hyperdub women Cooly G and Laurel Halo.
 


Votes

albums (new)



Ariel Pink, Mature Themes (4AD)
Mark Van Hoen, The Revenant Diary (Editions Mego)
Death Grips, The Money Store (Epic)
Woebot, Hallo (Hollow Earth)
Traxman, Da Mind of Traxman (Planet Mu)
Maria Minerva, Will Happiness Find Me (Not Not Fun)
Cooly G, Playin Me (Hyperdub)
Ariel Pink, R. Stevie Moore, Ku Klux Glam (Stroll On)
The Congos/Sun Araw/M. Geddes Gengras, Icon Give Thank, Rvng Intl.
Laurel Halo, Quarantine (Hyperdub)

albums (archival)

David Cain, The Seasons (Trunk)
A.R. Kane, The Complete Singles Collection (One Little Indian)
Laurie Spiegel, The Expanded Universe (Unseen Worlds)
Disco Inferno, The Five EPs (One Little Indian)
Daphne Oram, The Oram Tapes Vol. 1 (Young Americans)
F.C. Judd, Electronics Without Tears (Public Information)
Various, Personal Soul (Numero Group)