Wednesday, May 17, 2023

fave science fiction + alternative history

 11 of my fave s.f. novels

(originally wrote this for purposes irrelevant to go into at this juncture)


Keith Roberts, Pavane  
Alternative history/counterfactual set in England where the Reformation never happened, Roman Catholicism dominates the country, and science has been suppressed.

Ward Moore, Bring the Jubilee
Alternative history in America where South won the Civil War, an unacknowledged precursor to steampunk in terms of technological backdrop, very well written and characterized, full of great historical jokes and inversions - e.g. in the impoverished, backwards remnant of the United States of America, the transcontinental railroad was never completed, the Native American tribes never defeated, and Deseret (the original Mormon name for Utah) still has polygamy, while a Klu Klux Klan-like militia called the Grand Old Army fights against the overwhelming economic influence of the Confederate States of America, a/k/a those damn Southrons.

Robert Sheckley, Mindswap
The exact plot escapes my memory – something involving a guy who ends up in an alien body and his attempts to get home, involving jaunts across many strange planets, each time ending up inside a wildly different lifeform. But Sheckley is that rare thing, the genuinely hilarious s.f. writer.

John Brunner, Stand On Zanzibar and The Sheep Look Up
These weren’t quite sequels but more like companion books, both set in an overpopulated future, Sheep I think nearer the present and more polluted and ruined, Zanzibar more about pop cultural overdrive, the pressures of overcrowding. Both excellent.

Frederick Pohl and CM Kornbluth, The Space Merchants  and Gladiator At Law
Possibly my favorite s.f. book ever - certainly the most reread. Another one set in an overcrowded, ecologically ruined future, this time a world dominated by advertising agencies. Written in the 50s circa Vance Packard and The Hidden Persuaders but surprisingly not dated at all and probably has renewed interest because of Mad Men and our culture of branding, Facebook ads, micro-targeted propaganda etc.   Pohl and Kornbluth wrote a bunch of really excellent books both separately and together – they belonged to this cabal of NY-based, mostly Communist or left-aligned writers who called themselves the Futurians, so the anti-capitalist slant of Space Merchants makes sense in this light.   Gladiator At Law, also excellent, is set in a similarly dark, corporate dominated future, where the masses are kept happy by a revival of  Roman style bloodsports

Walter Miller, A Canticle For Leibowitz 
Absolute classic set in the Dark Ages several centuries after world war three, with monks who preserve the lost knowledge and painstakingly copy onto parchment the circuitry diagrams for machines they no longer know what they were for. Beautifully written and wry

Alfred Bester, the Demolished Man, and Tiger, Tiger (also published as The Stars My Destination)  Two more classics. The Demolished Man involves a future where telepathy has been developed and so has teleportation ... and to be honest my memory of the plot/scenario momentarily fails me, but it’s.... great!   Tiger, Tiger – ditto, I recall more particular amazing scenes.  A great stylist, though, is Alfred Bester and generally accredited as a master.

Harry Harrison, Make Room! Make Room!
The book that was turned into Soylent Green but about 10 times superior to the movie. A very grim and gritty, well imagined scenario of overpopulation and resource depletion in New York circa 1999. ‘Soylent’ is not “made out of people” as in the hokey Charles Heston  movie but is just one of the dreary processed foodstuff that people subsist on along with krill burgers and weed crackers. The rich go to “meatleggers’ and “meateasy’s” where they can get some dog or if they are really wealthy and connected, a sliver of beef steak.




^^^^^^^^^^^^

Things I would obviously add to the list: Philip K. Dick The Man in the High Castle (and a couple of other PKDs), several J.G. Ballards (The Drowned WorldHigh Rise, Low Flying Aircraft, others), an Aldiss or two (GreybeardHothouse) Lem's Solaris and Fiasco definitely, possibly Christopher Priest's A Dream of Wessex. 

And I suppose Fahrenheit 451 is undeniable. 

As is Neuromancer. And The Difference Engine.

Ooh, how could I forget - most of John Wyndham - particularly The Chrysalids (that should be a movie, I think) and The Midwich Cuckoos and Chocky, but you can't deny The Triffids

Out of recent years reading in the genre, I don't think anything would get added to this core list, which was consolidated in my mid-teens - except for Olaf Stapledon's First and Last Men  and Starmaker - visonary works both. And David Lindsay's A Voyage to Arcturus, which isn't exactly s.f.  (more on it at the bottom).

That said, I was very impressed by Kim Stanley Robinson's The Ministry For the Future

Short stories is a whole other ball game... Dozens by Ballard. Harlan Ellison's "I Have No Mouth and I Must Scream" is one that lingers in the memory disquietingly. Ray Bradbury's one about the pedestrian who gets arrested for going for a walk at night. 

So many others from paperback collections I got from the local library.

Some major science fiction writers that I have never read: Asimov, Frank Herbert, Arthur C. Clarke, Heinlein (not entirely sure actually that it's zero with him - but certainly nothing has stuck in the memory). A number of other surprising omissions...

Mainstream literati having a go? Well, you'd have to mention 1984, Brave New World, Kingsley Amis's The Alteration (but certainly not Russian Hide and Seek), Burgess's A Clockwork Orange (but certainly not 1985 and nor The Wanting Seed). The Plot Against America. Oh and Nabokov's Ada, although he professed to despise s.f. 

^^^^^^^^^^^^^^^

A Voyage to Arcturus 

One of the strangest novels I've read. By David Lindsay, published in 1920. Not exactly science fiction, nor fantasy, but a tortured religious vision. Absurd, yet with a unsettling quality of reality and gravity that takes it out of that zone of the Marvelous a.k.a. make-it-up-as-you-go-along cobblers.

It starts with a seance or spiritualist type meeting in an Edwardian living room, there are three gentlemen ... but then quickly.... well, it's hard to say what proceeds from that, paraphrase wouldn't quite convey.... Logic and plausibility quickly disappear without any loss of a sense of reality or grim seriousness.. It's a slightly barmy religious vision that you can't shake off. The outer space location (Tormance, a planet around Arcturus) is by the by really...  

The attitude to all things worldly, fleshly and pleasure-giving reminds me of peak-delirium K-punk's Spinozist scorn for "sad passions".

Harold Bloom was such a fan of Arcturus (he claimed to have read it hundreds of times!) that he tried to write a sort of an extension of it, The Flight to Lucifer: A Gnostic Fantasy (1979).His only attempt at a novel. Did I read somewhere that he subsequently tried to get hold of all remaining copies and destroy them? Or perhaps he joked about doing so. 


Thursday, May 4, 2023

fave lyricists versus overrated lyricists

(one side of a chat with Carl Neville aka the Impostume, done in the mid-2000s)


FAVES

Ian Dury 

Jim Morrison (but perhaps only his delivery could get away with some of that stuff)

Robert Wyatt (king of bathos)

Kevin Ayers (recently got into into him in a big way... "Decadence" and "Song from the Bottom of A Well", amazing words)

Bryan Ferry (a genius of delivery also)

Marc Bolan (best spangly pop nonsense)

Edwyn Collins

Morrissey (not after a certain cut-off point which is almost as early as The Queen Is Dead except there are moments in the later Smiths stuff and one really great later solo song "I Am Hated For Loving"... actually I just read a really good book on Morrissey by an academic that made a good case for his lyrical genius throughout, broke down his various strategems etc... I was convinced but then the music gets to be mostly so pedestrian post Viva Hate)

Roy Harper

Billy Mackenzie

Green (the early stuff ....  Songs to Remember just is too cute and smugly in love with himself .... some moments on Cupid... the last LP, White Bread Black Beer, very much)

Jarvis Cocker

Martin Bramah

Kristin Hersh 

Poly Styrene

John(y) Rotten/Lydon

Pete Shelley

Syd Barrett (actually there is also one song that was a B-side early on, by Rick Wright -- amazing lyrics, strange fragile emotion i can't think of any prototype for in rock. 'Paintbox" -- well worth checking out if you have any time for Floyd at all)

Captain Beefheart (not always but often)

Lawrence from Felt makes it just for "Primitive Painters" and some of the Denim lyrics.

David Byrne (not always but quite often -- "Mind", "Animals", side 2 of Remain)

Iggy Pop when he was in the Stooges

 

further thoughts 


Stevie Nicks, in a funny sort of way

Rapping is almost like another thing, it doesn't look good written down often, but Jay-Z, LL Cool J, DMX

SPECIAL CATEGORY: can't say I adore exactly but you can definitely see why they're so rated: Lou Reed, Ray Davies, David Bowie

 

OVER-RATED 

it's not that they're bad, they might even be "good", but just substantially over-rated

 

Thom Yorke (just very few really memorable lines)

Manic Street Preachers (I warm to them as people but the lyrics are just fucking wretched aren't they! as is the music and the singing come to think of it. Do not see why Owen and Anwen et al are so into them, guess it might have been a certain-age type thing)

Ian Curtis (it's very young, isn't it? Exception: "Love Will Tear Us Apart" is perfect)

Elvis Costello (used to really like but it's rubbish,  okay it's not rubbish but really masturbatory --  wordplaying with yourself in public heh heh- actually I kind of enjoy it on that level, as grotesque exhibitionism, and also as sensuously sounded nonsense) (see this earlier post, the section on "pubadelia")

Nick Cave (used to like him a lot but now it seems so posey -- the over-written Birthday Party stuff is still pretty great I think, but what's worse is when he tries to do "simple" later on in a sort of King James Bible/Faulkner kind of way, tries to achieve the language of parables and common simple-hearted folk... cod-"timeless").

Mark E. Smith (agenius obviously but his seems to be an approach where you could get away with murder so I wonder if he does that quite a bit)

Brian Eno (the story ones are good, the ones about people marooned on beaches or twilight states of vegetative indolence...  but  the other Warm Jets type stuff is just twee )

Kurt Cobain (some great one or two liners and the odd verse but…)

J&MC, Primal Scream, Spacemen 3, Spiritualized --  it's like the cooler, slightly higher brow version of how metal bands write lyrics, like they've gone to the School of Rock

X, Violent Femmes, etc -- American wannabe poets

Vic Godard (good lines here and there, don't completely understand the fuss I must say - like "Ambition" - why is this considered an all-time lost classic?)

Patti Smith (has her moments, but…)

Joe Strummer and Paul Weller

The Clash lyrics pale next to the Pistols (the exceptions here - "Complete Control", "White Man in Hammersmith Palais", "Lost in the Supermarket" and - while overly abstract  - "Straight To Hell")

Weller has some moments but ("When You're Young", "That's Entertainment". "Down in the Tube Station at Midnight" is great - a 3 minute Play For Today was his goal, he said - but then narrative doesn't make sense - why is travelling by Tube to bring home a curry; midnight is a bit late to be having a curry; how would the muggers work out his address so to be able to use his keys to break in and attack the wife?). "Town Called Malice" makes me wince. Then there's the Style Council... 

Donald Fagen (except for The Nightfly, when he's great) 



That was circa 2006, who would I add now?


Faves

The chap(s?) in Vampire Weekend but only for the first album

It pains me to say it but Ariel P**k

Florence Shaw, obviously

I should have added The Specials (Dammers, Hall, Golding, Radiation)

Also Gang of Four but only the first album (gets clumsy after that - except for "Paralysed") 

Also Joni Mitchell (often)

Also John Lennon (often)

Also Paddy Macaloon except when he's very cloying (which admittedly is quite often)

Also Neal Peart but only for two songs, "The Spirit of Radio" and "Limelight". 

Also David Crosby for "Everybody's Been Burned", "Mind Gardens" and "Triad"

Also Peter Perrett


Overrated

Really not sure - I don't seem to listen out for lyrics in the way I once would have, and for a while now quite a large proportion of my listening is music sans words. 

But in terms of someone for whom the argument is made very much on the basis of the lyrics, I would say Lana Del Rey.